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It was wonderful, but I kind of blacked out for it. As it was happening, I was completely unaware. I mean, that was kind of why it took me going all the way out to Finland for a little bit to try and recharge my batteries - it’s a really sort of eerie, surreal feeling. I don’t think I could have ever, you know, sat down and written if I knew this outcome.
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What’s it like to have someone like that be all over your album? Jimmy Fallon has said he’s a fan, and you played on Late Night this past year. At some point around 2007 or 2008, it really struck me that the new punk rock wasn’t a shitty guitar and an amp, but a laptop and a copy of Ableton, you know?
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Why do you think music software has become so popular? It seems like every one is using it. I mean, it’s still sort of synonymous with a dude with a delay on his voice, hovered over a midi controller and laptop. “Laptop artist” was an interesting way to circumvent that.
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I purposely didn’t call you “ chillwave.” I didn’t want to write just another straight-up low-fi record because it wouldn’t have felt very honest or representative of where I’m at. It’s so strange that software has integrated itself into how I write music. We caught up with him ahead of tomorrow’s release at Five Leaves in Brooklyn to ask about laptop music, blacking out on Late Night With Jimmy Fallon, and creating new sounds that give him the “chilly willies.”ĭo you consider yourself a “laptop artist”? Alan Palomo, the band’s eccentric leader, recently returned from Helsinki, where he traveled for six weeks of darkness to put together the band’s second album, Era Extrana. Pumping synths, off-kilter samples, and a touch of nostalgic melancholy and teenage longing have helped Neon Indian become the psychedelic lion of the slow-burning low-fi movement.